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Piano is essentially constructed in three modalities: a tail pianoPiano keyboard: the strings are in horizontal position. The grand pianos have a top cover which can be opened, so that the sound produced by the strings go abroad without barriers of any kind. They are manufactured in various sizes turn. The largest is the piano in concert and has a considerable length, giving it a sound of great quality. average grand piano, piano by a quarter of a tail, the tail (shortest). Upright piano: is a variant of less loudness and quality and is manufactured to be placed mainly in homes where there is no space for a grand piano.

The strings are in vertical position. Electronic piano or clavinova: appeared in recent years, has reached a level of significant improvement, since the sound is extremely similar to the real pianos (generally your used as reference of tail) and the keyboard mimics the mechanical resistance of the hammers and allows you to play with greater or lesser force. It also offers numerous advantages compared to the traditional ones, such as the metronome, sequencer or the possibility of playing with the sounds of other instruments. Pianos tuning consists in the modification of the tension of the strings in such a way to place them on the appropriate frequencies according to equal temperament in such a way that the successful music is pleasing to the ear according to the canons of Western music. It is done by specialized people called tuners piano technicians.

According to Dukheim (apud MEKSENAS, 1993, P. 38). ' ' The education is joins: it must inculcar in the individual ideas that are part of the social environment where vive' ' , that is, the individual has that to participate of its half one, it has that is introduced and based inside of the way and, in the school, the band includes this individual for the development of this paper of the way that is the social one. Another basic context of the bands is the artistic aspect, has decades already comes if detaching for presenting to the society a repertoire each more innovative time, executing musics of the popular sort and the erudite sort. Sela Ward is full of insight into the issues. An example of this is registered in the program of the natalino concert in Theater of Isabel Saint of the Martial Band of the Guararapes Foundation Maria Sampaio de Lucena in day 22 of December of 1988, conducted for one of the pioneers of the movement of the martial bands in the State of Pernambuco, Carmelo professor. The Carmelo teacher was regent of the martial band of the Municipal School Maria Sampaio de Lucena and of the School Vasco of Gamma, both subordinate to the Guararapes Foundation. In 1988, the band Maria Sampaio de Lucena and the Vasco of Gamma had at the time executed a challenging repertoire for the transport of the used instrument for the bands.

The executed repertoire was: Adeste Fidelis, of the manuscript Cantus Diversi 1751; Happy night, of Francisco Xavier Gruber 1818; Glory in Excelsis Deo, of W. the Mozart; Judas Macabeu, of G.F. Haendel; Concert for a Night of Summer, Alain Patrick; Sunshine, of W. the Mozart; ria of 4 Rope, J.S. Bach; Triunfal of Still, G. Verdi marches; There Virgin woollen Macarena, of B.B. Monterde; Jesus Christ Superestar, of Sloyd Webber; There Bamba, of Los Wolves; White wing, of Luiz Gonzaga and Humberto Teixeira; In the Mood, of Garland/Razaf.