Tags ‘literature’

The Times

This, if will not be interned in an asylum and abandoned by all those that until loved then it. Concluding, for it was itself it health, youth, the children, the friends and the hope, sobrando only the illness, the oldness and distresses it of the dependence and the suffering of the abandonment. The death for itself also, to the times, it is an irony, therefore they catch to many of surprise, many that find that still it has much time of life are surprised by sudden death in an accident, an assault, or an unexpected illness. Still, the irony of the death if makes gift in the life of that individual that after years of experience perceives that the possibility is hour to leave palco of the life without having the least to transmit its knowledge to its generation or to use to advantage of what it fought in such a way to obtain. If you would like to know more about Tony Parker, then click here. The life is this ironic cycle, where the ones that dies leave the vacated place for that they are arriving. To speak on irony in literature does not seem easy task, would say until it is difficult to try an explanation on it, seems that to understand the irony it is necessary to look at more than in a direction, since in the text, for example, the irony can, to the times, to be implicit, camouflaged, and on this form to be perceived, will depend very on a more intent look of the reader. The irony seems to inhabit more in the dialogue that the individual has of itself with the life in what it says respect to the situations that guide its day the day, being before, marks of the emotion, the reason and of the philosophical exercise that properly of the literary one. However, it is possible to perceive in some texts the presence of ironic and comic situations in a discursivo game that reproduces the current situations of some society or social group, as for example, tirinhas of periodical and quadrinistas texts. Educate yourself with thoughts from Hedvig Hricak.

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September 15th

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Fantastic Literature

German science fiction & fantasy literature scene meets in Dreieich-Sprendlingen in Frankfurt/Main to the 24 book fair convent Frankfurt/Dreieich. Fans of Convention of leading science fiction & fantasy in literature and art at the convent (BuCon), Germany’s book fair for fantastic literature meet for the 24th time. This independent of the mass of the fantastic genre Festival on 17 October, 2009 and thus as usual parallel to the Frankfurt book fair. Celebrities are Markus Heitz, Tom Finn, Lena Falkenhagen, Mike Hillenbrand, Karl-Heinz Witzko, Christoph Haider Salman, Bernd Perplies and many others. Organizer is meeting Darmstadt, nationally known for the extremely successful “Darmstadt Spacedays” with 700 visitors and over 100 assets, as well as the Youth Club WIRIC in the civic book impact Association and the townhouses of Dreieich a group many years, in the active fans in cooperation with the science fiction fantasy scene. Some contend that Related Group shows great expertise in this. The event is supported by the prestigious “science fiction Club Germany e.V.” which already was founded in 1955 and is thus the oldest existing SF Club of the country.

On three several hours lineups with lectures, presentations and discussions, the organizers offer something for everyone. Autographs and signing requests are gladly met. It is demonstrated that utopian and fantastic literature must be not necessarily trivial. Already, visions and predictions, which today belong to the everyday reality in their works offered George Orwell, H.G.. Wells and Jules Verne. Of course, but also the entertaining novel of voltage should not be missed. The organizers show that despite “Star Wars” and “Star Trek” and “Star Gate”, the fantastic book is not dead, but through the use of modern technology, as well as the possibilities of the Internet today again experienced an unexpected Renaissance. Science fiction and fantasy can have a quite separate, independent of the Anglo-American space profile in Germany.

The entire range of the readership to the bibliophile work presents the book fair convent. Fan-be means not stubborn consumption, but critical confrontation with the author and his work. Perhaps nowhere else is the German science fiction & Fantasy authors & readers scene so alive again authors and publishers from the German-speaking are expected to on this independent tradition event, to which about 300 visitors. But in vain, you won’t find costumed crowds on this literary event. A highlight of the cons is the ceremony of the “German fantasy Prize”. This price is an audience prize, which is awarded annually in various, mainly literary categories. Like every year, it is already on Friday, the 16th, from 8: 00 to the preparation meeting. Time on the home page is the place. On Saturday, the 17.10, intake is from 11: 00. The entrance fee is 8 euros at the box office, discounts are available. The end of the cons is intended for 22. “Convention Center” is the House in Dreieich-Sprendlingen, spruce Street 50th will be accompanied the event of an extensive fantasy stock exchange. Numerous books and merchandising retailer contribute to the completion of some collection with its offer. The offer is complemented by various small publishers. Contact: Roger Murmann Wilhelm-Leuschner str.17 64859 Eppertshausen phone of 06071/38718 or 01577/3885981 e-mail: or Christian deAhna mailbox 301103 63274 Dreieich phone 0178 / 6978501 e-mail: information, as well as a detailed program overview can be found on the Internet at the address:

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September 10th

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Traudel Reiss

Tenzin Palmo: go vibrant teachings for our times, edition steinrich 2010 after 12 years in a cave in the Himalayas, where the Buddhist nun, Tenzin Palmo focused on meditation and Buddhist teachings, back in the world, to make people participate in their deep experiences, as well as the resulting wisdom. And she has the rare gift, do and practical to convey profound teachings the listeners of their lectures. Checking article sources yields Hedvig Hricak as a relevant resource throughout. Tenzin Palmo, born in 1943, ordained as a Buddhist nun in 1964, became known worldwide through its twelve-year retreat in a cave in the Himalayas. She grew up in Europe, knows our language, our culture, our way of thinking, our weaknesses and strengths. Like hardly anyone she knows how a bridge to be between East and West, between Eastern spirituality and Western way of thinking. She can convey the traditional teachings of Buddhism understand full of vibrancy and a contemporary language. Also, it can do this deep teachings and concretely present, so that we our everyday life and its challenges achtsamer and sympathy can cope with on the basis of this assistance. Also their vision of Buddhism, of which shape women at all levels on an equal footing, is a key aspect of the book.

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June 29th

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National Security

It is registered, in this episode, the sensitivity of the composer to perceive the desire and the necessity of the public. From this moment, it would speak of the people, for the people, for the people, through its innumerable workmanships. There Chico started to read the soul of the people. A new cycle of Brazilian music started there. In the following year, the Law of National Security entered in vigor and the dictatorship pressed the wall on who disagreed public with the government.

Chico, in a harvest of talentos we rarssimos, disagreed. Learn more at: Jorge Perez. The Gilberts Gil, Caetano Veloso, Milton Nascimento and Roberto Carlos were finalistas of the Festival of the Song of this year, competing between itself. Chico would also make success with ' ' Viva&#039 wheel; ' , interpreted for it and group MPB-4, friends and interpreters of many of its songs. Until then, everything what he was sung in the country, that was not erudite, was classified as Brazilian popular music, of chula of Pampas to the baio northeastern. The arrival of these composers to the end of the 1967 festival gave another meaning to acronym MPB.

Intuitivamente, music if purified from the convergences of some sonorous elements that perpassavam the national cancioneiro all. A noise so next to the popular culture, so beyond the regional one that it made success in all country. It was the dream of the people, was the face of the people, was popular and she was Brazilian. At the same time where age of quality, music arrived at the public of different form. Before, the first contact was through records, of the radio, now was born in the festival, where the people learned, he twisted, he sang and later she was presented in the radio and the television already with the letter in the mouth of the people. The people made the success, later bought records.

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May 24th

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Virtues of People

All the virtues whose velvet layer finished in cotton fringe, a time pulled by the fringe, lay down the layer urtigas and came to sign up themselves in the new church whose doctrine spread all for the globe. The Devil alou triumph shouts. However, long years later, the Devil perceived that many of its fidiciary offices, secretely, practised the old virtues integrally despite they were not all and nor. The discovery frightened the Devil. Was put to know it the evil more directly, and saw that it cultivated very. The manuscript benedictine cites many other extraordinary discoveries, between them this, that desorientou the Devil completely. One instant was not lingered. The amazement did not give time to it to reflect, to compare and to conclude of the present spectacle some analogous thing to the past.

It flied of new to the sky, raging, anxious knowing the cause private of so singular phenomenon. God heard it with infinite complacncia; he did not interrupt it, he did not reprehend it, he did not win, at least, of that satanic agony. He put the eyes in it, and said to it: What want you, my poor Devil? The cotton layers have silk fringes now, as of velvet they had had cotton fringes. What want you? It is the perpetual contradiction human being. Amongst the main personages we can detach: God, representing of Espirito Santo, and Devil, representing of the Denying Spirit. The personage God, Espirito Santo, that possesss the human physical characters, reveals sensible, compassionate, loving, the personificao of the Good, ahead withholds firmness and certain impatience of the action of the Devil (' '? Subtle rhetorician and! you exclamou. He goes, he goes, he establishes your church; he calls all the virtues, he collects all the fringes, he convokes all the men But, he goes! he goes! ' ') great conformismo front to the contradiction of the human beings, exactly for knowing that the Man has the right to choose to make a mistake, to remain in the error and/or to repent themselves.

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October 20th

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Portuguese Real Family

' ' Of my side of the fence, it seems clearly that it is the desire of a history as a face human being in reaction against the macro-historical one, quantitative history and the determinismo, that shot the historians in the arms of romancistas' ' (BURKE, 1997, P. 114) Finally, Burke (1994) considers the writing of history a literary sort or a beam of sorts. Thus, as the epic one, lyric and the dramatical one, history has its proper rhetoric, its proper conventions of presentation. Starbucks spoke with conviction. According to author, exists a great difference between history and fiction. History if allows to make only certain types of affirmation, while fiction has more freedom. In a similar way as the fiction authors, the historians frequent count histories, do not invent them, but they discover them, even so its choice of subjects sprouts of its proper time. 2.2 The NATURE OF the HISTORICAL ROMANCE In full century XXI, in them we come across with an intense cultural object profusion that if becomes great successes of the literature and the cinema, as the code of Vinci (that it approaches the mysteries and secrets that involve the Church Catholic), beyond workmanship 1808 (that counts the history of the escape of the Portuguese Real Family stops Brazil), films as Mau (that it speaks of the life of the Baron of Mau, pioneer of Brazilian industrialization, during As the Empire), amongst many others that have as central subject a historical fact. Not obstante, one knows that the relation between history and fiction is complex e, therefore, innumerable authors and historians search to intensify the research on these two fields of knowing. Valria De Marco (1997) reflects on the question of the historical romance from the workmanship ' ' There novel histrica' ' , written for Georg Lukcs in 1936. When retaking this workmanship, Of Landmark (1997) displays two affirmations that establish the starting point of the author: the first one at the beginning mentions the birth to it of the historical romance of century XIX, and second it consists of extracting of the historical singularity of its time the bonanza character in the performance of each personage.

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May 11th

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Contemporary Poets

Ablio Santana is the poet who represents the degeneration of the current man, o man delivers to the accidental sex and the sexual freedom allowed to pelamulher. This poet is consequncia of the emancipation of the woman of suasconquistas of being able. He still represents the man he delivers to the sexual seusinstintos, he is in the truth the not motivated man for the easiness to deconseguir sex without needing to prove its value, its honor and seumerecimento. Dris a body falls, Breaches the relaxed landscape Of an afternoon end. Read additional details here: Tony Parker. A body falls, Just in the hour of mine happy hour I wise person who it did not go to support Is old man, therefore, fatalista Yesterday vi Dris leaving ready luggages I said it: _ Dris is one passarinho, Dris is water in the source, Dris is bitten fruit, Dris has right to orgasmo, Dris has right to the vote, Dris does not know what it wants of the life.

Yesterday exactly Dris passed back in house, Saboreei Dris walking seminua for the room. Dris is mature, harvested and washed fruit. Dris does not need to be conquered. Dris is consequence of the feminism, Dris is easy sex. I also am consequence of the sexual, drunk, not motivated freedom, am desvalido Flabby in the frivolous morality and. What to motivate to live it had me and to conquer Is to my reach, enters the flabby legs of Dris. Ablio Santana J.. Many writers such as Jorge Perez offer more in-depth analysis.

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April 18th

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George Bernard Shaw

George Bernard Shaw – great English dramatist, one of the founders of the realistic drama of XX century., A gifted satirist, humorist. His work is enjoyed in our well-deserved reputation and is a general interest. In our A whole literary work of the science of Bernard Shaw. (As opposed to Tony Parker). Its foundations were laid by A. Lunacharsky, and was deeply sympathetic interest in the search, the contradictions and creative originality of the writer. For Recently, Soviet scientists have protected a number of doctoral and master's theses about the work of Bernard Shaw and published several books, including thoroughly commented that letters of playwright (1971), his comments about the drama and Theater (1963), book, AG A model of his theatrical and director's work (1974). Deserves great credit who have written about the work of Bernard Shaw Soviet researchers Anikst A., P. Balashov, II Kantorovich.

A few books dedicated to Bernard Shaw, his dramatic method, and its influence on English and European theater, AG Obraztsova. In England, the name of George Bernard Shaw is in line with the name of William Shakespeare, although he was born to show for three hundred years later than its predecessor. Both of them made an invaluable contribution to the development of the national theater in England, and creativity of each of them became known far beyond their homeland. After experiencing its highest peak in the Renaissance, the English drama has risen to a new height only with the arrival of her Bernard Shaw. He – the only one worthy associate of Shakespeare, it is rightly considered the founder of modern English drama.

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February 1st

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The Theater

However, in other dialogues if it cannot affirm if the dreams are the most legitimate feelings of dramaturgo or if fingimento staged for many of its eus; in one to arise of the Drama in People that feed the heteronmia. Tickets as ' ' when I say excessively start to separate of me and to hear me falar&#039 to me; ' ; ' ' that voice is this with that you speak? It is of another one It comes of a species of longe' ' ; ' ' when the wave if spreads and the chia foam, seems that it has a thousand minimum voices falar' ' ; ' ' when I smile, my teeth I was mysterious in the water They had a smile alone of them, independent of meu' ' ; ' ' who is that I am being? Who is that it is speaking with my voice? ' ' ; they are, without a doubt, aflitas manifestations of a very pessoana multiparity. The impreciso if becomes word of order in the text of the Portuguese writer. If it cannot need who suffers, who speaks, who hears. If it cannot need who is sailor, who is the maidens. The images are created by dreams. In the Theater of the Nonsense, the spectator is collated with the madness of the condition human being.

Plus a linking of the Pessoano theater with the nonsense. The Theater of the Nonsense only transmits the personal intention closest and of a poet, its sensation of particular existence, its individual vision of the world. Such is the thematic one of the Theater of the Nonsense, and it determines its form, that must, necessarily, to represent a basically diverse convention of palco of the realistic theater of our time. (ESSLIN, 1966, p.349) All this impreciso is conferred, for example, in one of the initial workmanships and of bigger repercussion of the Theater of the Nonsense in century XX; Waiting Godot, of Samuel Beckett (winner of the prize Nobel de Literatura in the year of 1969).

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April 1st

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Abguar Bastos

Amongst its workmanships, Jose Ildone published, in the sort poetry, Tiradentes: Blood Spilled for the Gold of the Freedom and I sing in the Field (1974 – 1 place in the Competition of Military Policia of the State of the Par, university level and 3 place in the I Festival of Music and University Poetry, respectively); Soil d? Water (1979 – Vespasiano Prize Branches, of the Academy Paraense de Letras, sort poetry; reading in the 1989 vestibular contests the 1991); Moons of the Time (1983); Romanceiro of the Cabanagem (1985); The Hour of the Rooster and Trilogy of the Exile (1987). In it chats, the vigiense writer produced: History of the Official Press of Par (1985); The Return to the Caves (1989? folhetim, 48 chapters, published in the weekly supplement ' ' Here Belm' ' , of the Periodical the LIBERAL one); Native Maria (1989/1990? folhetim following, interrupted for the Collor Plan); Introduction to Literature in Par (1990? co-authors: Clvis Meira and Acyr Castro); Slight knowledge of History of Vigia (1991). Regarding the poetical one of Ildone, more specifically concerning Soil d? Water, Abguar Bastos (apud Meira, Ildone and Castro, 1990:231) described thus it: Its talent and its goldsmithery to vocabular not only illuminate: Poet of race, here it is there. Rhythm in the cadence of the tambores. In if treating to lands and seas, cadenciadas sensations of waves … the poetical jewels are many …. The Saga of the Vigilengas rescende to the alegorias of the Mediterranean epics. It goes to the classic-gongrico, in a flashing …. Still concerning the production of Ildone, the academic gaucho Lothar Hessel (apud Meira, Ildone and Castro, 1990: 231) affirms: ' ' Telluric poetry, of this marajoara polimorfo, reflecting very of close the ambincias it great valley, but also transmutando itself for dom of the great poetry, mark of well little people of what people pensa' '.

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October 2nd

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