The Theater

However, in other dialogues if it cannot affirm if the dreams are the most legitimate feelings of dramaturgo or if fingimento staged for many of its eus; in one to arise of the Drama in People that feed the heteronmia. Tickets as ' ' when I say excessively start to separate of me and to hear me falar&#039 to me; ' ; ' ' that voice is this with that you speak? It is of another one It comes of a species of longe' ' ; ' ' when the wave if spreads and the chia foam, seems that it has a thousand minimum voices falar' ' ; ' ' when I smile, my teeth I was mysterious in the water They had a smile alone of them, independent of meu' ' ; ' ' who is that I am being? Who is that it is speaking with my voice? ' ' ; they are, without a doubt, aflitas manifestations of a very pessoana multiparity. The impreciso if becomes word of order in the text of the Portuguese writer. If it cannot need who suffers, who speaks, who hears. If it cannot need who is sailor, who is the maidens. The images are created by dreams. In the Theater of the Nonsense, the spectator is collated with the madness of the condition human being.

Plus a linking of the Pessoano theater with the nonsense. The Theater of the Nonsense only transmits the personal intention closest and of a poet, its sensation of particular existence, its individual vision of the world. Such is the thematic one of the Theater of the Nonsense, and it determines its form, that must, necessarily, to represent a basically diverse convention of palco of the realistic theater of our time. (ESSLIN, 1966, p.349) All this impreciso is conferred, for example, in one of the initial workmanships and of bigger repercussion of the Theater of the Nonsense in century XX; Waiting Godot, of Samuel Beckett (winner of the prize Nobel de Literatura in the year of 1969).



April 1st