Wagner Art

1. Introduction the objective of this monograph is to analyze as the philosophy of Nietzsche extremely is interlaced with the art, a philosophy that if does not summarize simply in a meeting of teses that fix a dogmtica or a set of techniques that establishes a methodology, and yes; a search to inside approach the problems crucial of the man of modernity. A philosophy that is the proper experience of the life in an aesthetic perspective, where the laugh appears as the possibility to revert perspective fossilizadas of ridicule serious philosophers and with the pretension to construct great established Metaphysical systems in strong dogmatismo. For Nietzsche, the thought alone can be considered genuine when as in a music it invites in them for the one dances. ' ' I live in my proper house, Nothing I imitated of nobody and still it laughs at all master, Who did not laugh at itself tambm' '. Learn more at: actress. ' ' On My Porta' ' (NCP, 171). The deep linking of its philosophy with its poetical art goes to cause a language total articulated with its content philosophical. It is from artistic manifestations and philosophical contents that Nietzsche goes to initiate its reflection in ' ' The birth of tragdia' '. ' ' The birth of tragdia' ' it is associated in such a way with the philosophy of Schopenhauer through its concept of will, but mainly with the music of Wagner – to who it dedicates the preface of the book – in its aspect of possible redescoberta in this author of tragic music. These associations, however, do not mean that an assimilation of this exists simply or of that thesis of the cited philosopher or the composer; therefore its main question, as already we tell, says respect of the art as the form for the appearance of the reality, with its firm certainty of that the art and mainly music is the properly Metaphysical activity of the life.



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