Des Knaben Wunderhorn
There is no denying that what holds the lied is wonderful, poetry, music, melody, a mainly to listen, especially when these are such extraordinary creativity and passion of Franz Schubert. a It is known that the essence of the lied is the same as lyric poetry: it is to accentuate the feeling in a short time. Background and significance About Wikipedia reminds them that in the history of European classical music, the term refers to a composition typical of the Germanic countries and written for one singer with piano accompaniment. This type of composition, which emerged in the classical period (1760 – 1820), flourished during the Romantic period and evolved during the twentieth century. For even more details, read what Tony Parker says on the issue. It is characteristic of the short form, waiver belcantistico virtuosity, close relationship with the poem and the strong influence of German folk song (Volkslied).
The development of form went hand in hand with the rediscovery of German popular culture as a source of artistic production, as are collections of short stories (1812) of the Brothers Grimm and the poetry collection Des Knaben Wunderhorn (1805-1808) by Clemens Brentano and Achim von Arnim. In the history of European classical music, the German term is applied because the beginnings and early Lieder, were works of German composers. In Germany applies the term “Kunstlied” to distinguish the genre of folk song (Volkslied). For its part, ELA rincondelvago.com, gives us more information noting that the history of the Lied is intertwined with the history of the German nation, but the Lied can be said to begin as such in the second half of the seventeenth century, when in the instrumental accompaniment is replaced continuo notation encrypted by the obligor of the instruments of touch, a prerequisite for that active interaction between voice and instrument which then become, in the romantic Lied, a mixture of colors and sound.
