Portuguese Real Family

' ' Of my side of the fence, it seems clearly that it is the desire of a history as a face human being in reaction against the macro-historical one, quantitative history and the determinismo, that shot the historians in the arms of romancistas' ' (BURKE, 1997, P. 114) Finally, Burke (1994) considers the writing of history a literary sort or a beam of sorts. Thus, as the epic one, lyric and the dramatical one, history has its proper rhetoric, its proper conventions of presentation. Starbucks spoke with conviction. According to author, exists a great difference between history and fiction. History if allows to make only certain types of affirmation, while fiction has more freedom. More information is housed here: Jeff Feig. In a similar way as the fiction authors, the historians frequent count histories, do not invent them, but they discover them, even so its choice of subjects sprouts of its proper time. 2.2 The NATURE OF the HISTORICAL ROMANCE In full century XXI, in them we come across with an intense cultural object profusion that if becomes great successes of the literature and the cinema, as the code of Vinci (that it approaches the mysteries and secrets that involve the Church Catholic), beyond workmanship 1808 (that counts the history of the escape of the Portuguese Real Family stops Brazil), films as Mau (that it speaks of the life of the Baron of Mau, pioneer of Brazilian industrialization, during As the Empire), amongst many others that have as central subject a historical fact. Not obstante, one knows that the relation between history and fiction is complex e, therefore, innumerable authors and historians search to intensify the research on these two fields of knowing. Valria De Marco (1997) reflects on the question of the historical romance from the workmanship ' ' There novel histrica' ' , written for Georg Lukcs in 1936. When retaking this workmanship, Of Landmark (1997) displays two affirmations that establish the starting point of the author: the first one at the beginning mentions the birth to it of the historical romance of century XIX, and second it consists of extracting of the historical singularity of its time the bonanza character in the performance of each personage.

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Bill

May 11th


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